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- The Art of Conducting Creative Chaos: Why the Best Teams Function Like Jazz Ensembles
The Art of Conducting Creative Chaos: Why the Best Teams Function Like Jazz Ensembles
Yes, I tend to describe my work as I play in a band, so just go with me here.
In the world of creativity, traditional management approaches often fall short. After co-founding a design studio in 2002, managing in-person events in 2008, and building virtual event programs since 2016, I’ve come to embrace a leadership style more akin to a music director than a corporate commander—one that celebrates the beautiful dissonance of creative pushback, honors individual virtuosity, and weaves disparate talents into a tapestry of collective brilliance.
Director, Not Dictator: The Creative Leadership Paradox
When I survey my team before a livestream, I don’t see cogs in a machine—I see a constellation of creative stars, each burning with their unique intensity. Like a film director on set, my role isn’t to micromanage every chat response or line delivery (although I used to, which is why I’m writing this now), but to hold the vision sacred while allowing each artist to breathe life into their craft.
This delicate alchemy has transformed how we conjure digital experiences from the ether. Our virtual gatherings aren’t merely executed—they’re cultivated through the tension between clear direction and wild creative freedom, allowing each team member to straddle the edge of their potential while contributing to our collective masterpiece.
The Beautiful Rebellion: Why Pushback Creates Brilliance
The crown jewel in my creative process is something many leaders fear: constructive rebellion. When my technical director challenges a segment’s pacing or a producer questions our approach to stakeholder engagement, they’re not committing mutiny—they’re polishing the diamond. This creative friction serves as:
The Truth Serum: Even the most brilliant creative direction benefits from reality checks and alternative perspectives
The Ownership Catalyst: When team members shape the direction, they fight for its success with warrior-like passion
The Echo Chamber Destroyer: Creative work thrives on diversity of thought, not agreement for agreement's sake
The Quality Alchemist: The friction of different viewpoints often produces the spark that transforms good work into exceptional work
I’ve found that teams where pushback is discouraged often produce safe, uninspired work. In contrast, a team’s willingness to challenge ideas—including the leader’s—is instrumental in developing innovative topics and engaging formats that resonate with audiences. It can produce experiences that resonate with audiences on a visceral level—whether it’s a game show format that elicits genuine laughter or a competitive trivia segment that makes viewers forget they’re separated by screens rather than sharing physical space.
The Jazz Ensemble: Virtuosity in Harmony
I’ve come to see my leadership approach as less symphony conductor and more jazz bandleader—embracing a “jazz ensemble model.” In jazz, each musician isn’t only expected to master their instrument, but they have to develop their unique voice, to know when to step forward for a solo, and when to support others.
When a technical wizard joins our ensemble, forcing them into a generalist role would be like asking Miles Davis to play drums—a waste of singular talent. Instead, recognizing their exceptional technical production abilities and creating space for them to develop those skills leads to excellence. Similarly, when a team member demonstrates analytical thinking combined with visual communication skills, shaping their role to leverage those strengths benefits everyone.
This approach stands in contrast to the increasingly common generalist title like “designer” or even worse, a “video producer” role that expects one person to be a cinematographer, editor, director, sound engineer, and storyteller simultaneously. By honoring specialization—allowing your audio engineer to obsess over sound quality while your engagement manager crafts interactive moments—you create an ensemble whose collective output transcends what any individual could achieve alone.
Marination: Why Great Ideas Need Time to Breathe
Many times, I will pitch hair-brained concepts or processes for discussion, we shape ideas together, and then let it sit for a few weeks before we integrate them into a project or format, depending on when the team says we’re ready.
This time to “marinate” gives creative concepts and processes time to steep in the collective consciousness of the team rather than rushing to execution. These culture-building conversations might seem inefficient to outsiders, but they serve a crucial purpose: building the trust and shared understanding that allows teams to execute flawlessly when it matters.
Our pre-production rituals—asset alignments, production briefings, technical rehearsals—aren’t television studio checkboxes. They’re sacred spaces where we create an ecosystem that delivers consistent excellence while leaving room for spontaneous magic. This structured approach ensures excellence consistently while still finding room for creativity and audience delight.
This investment in relationship-building yields dividends that spreadsheets can’t capture. When team members understand not just what buttons to push but why those buttons matter, they feel connected to the larger vision, and they make better decisions at the moment—especially crucial during live events.
The Proof is in the Pudding
The proof of this management approach lies in the results. Our events managed this way consistently received praise from our participants and on-camera guests—especially those who’ve previously worked on professional productions—often being called “the best-produced webinars” that they’ve experienced. This mindset can help scale from intimate gatherings to massive productions while maintaining the human touch that makes audiences feel seen rather than merely served.
That was the most well-produced event like that I’ve ever been a part of, thank you again and please thank the team!
As somebody who has once been a tech director for live shows and events, including a live television show in the very early days of video on the internet, you guys just make it look flawless. Seamless.
I mean, I’ve seen in the chat where people have said, “You know, this can’t be live. This has to be recorded. Oh, wait a minute, they’re answering live questions right out of the chat!”
It looks really solid. And if there’s something about live events—where what can happen, will happen—you guys just roll with the punches and you do such an amazing job with it.
More importantly, this approach creates a team culture where people feel empowered to grow beyond their initial roles. When team members have opportunities to explore new skills—even completely different ones from their original position—they embrace challenges without hesitation because they know they have the support to succeed. They become creative adventurers, willing to venture into unfamiliar skills not out of obligation but out of inspired curiosity, knowing the safety net of support will catch them if they fall.
The Leadership Lesson: Trust the Music
If there’s one lesson I’ve learned in building high-performing creative teams, it’s this: when you hire talented people, your job isn’t to control their every movement—it’s to create the conditions where their brilliance can flourish, then get out of their way.
This isn’t abdication—it’s elevation. It means recognizing that creative work thrives on autonomy within structure, on pushback within respect, and on specialization within collaboration.
As we navigate an increasingly complex communication landscape, the teams that will thrive aren’t those with the most rigid processes or the most compliant members. They're the ones that function like jazz ensembles on a dimly lit stage—where each musician has found their unique voice, where the bandleader provides direction without constraining improvisation, and where the music that emerges could never have been created by following notes on a page.
That’s the kind of creative leadership I champion—not because it’s comfortable or convenient but because it’s the only approach I’ve found that consistently produces work that doesn’t just reach audiences but touches them.
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